Wednesday, June 8, 2016

Duchamp to Pop Exhibition @ The Norton Simon Museum


Hello everyone, it’s Ashlee! For my writing assignment I visited the ‘Duchamp to Pop ‘exhibition that is currently on display at the Norton Simon Museum in Pasadena. The exhibit explores French, naturalized American painter Marcel Duchamp’s influence on Pop artists such as Andy Warhol, Roy Lichtenstein and Jim Dine. About 40 works from the museum's permanent collection are on view as well as loans from the San Francisco Museum of Modern Art and the collection of Jack and Joan Quinn. Like referential art itself, the exhibition nods to previous Duchamp exhibitions at the museum, back when it was called the Pasadena Art Museum in the 1960s.

Marcel Duchamp is an artist whose work is associated with Cubism, conceptual art and Dada. He was integral in the development in the plastic arts and paved a new way of thinking about art that expanded beyond the artist’s own intention and context. His goal was to create as "retinal" art, intended only to please the eye and transitioning everyday items into valid pieces of art that merited attention and respect.

The exhibition also has works of artists he inspired like American artist Andy Warhol who lead the pop art movement in the 1960s. They had several of his ‘Campbell Soup Cans’ on display as well as second addition of his ‘Brillo Boxes’. Both are screen-prints, but the first is used in a flat, two dimensional manner that we are most used to using in class, whereas the latter uses the technique on wood to create an almost sculptural piece.
 


I really liked the wide variety of techniques displayed and how different artist used screen-printing in unexpected ways. What unified the pieces thematically was to play with the social expectations of the time of what was considered “high” art and their willingness to have a tongue in cheek attitude regarding art.




Tuesday, June 7, 2016

Bill Anderson Art Gallery

The Bill Anderson Art Gallery is located at 16812 Pacific Coast Highway in Sunset Beach, near the corner of PCH and Broadway. It is a small storefront type of space tucked away amidst restaurants, surfboard shops and tattoo parlors – an oasis of artistic calm literally feet from the noise and rush that PCH has become. Mr. Anderson represents a number of artists and virtually everything in the gallery is for sale.

(watercolor of the gallery)

I first stopped by about a year ago and was impressed with pieces on display – especially the work of Milford Zornes. Milford, born in Oklahoma in 1908, is said to have been the most prolific artist employed by the W.P.A. during The New Deal and was later part of the California Style Movement of watercolor painting. He passed away in 2008 at the age of 100.
I wanted to do my report on his piece of art “The Master Bridge” but there were two versions of it, one a color poster the other a block print, so I returned to the gallery to find out which came first.

(color poster)
(linoleum block print)

In talking with Mr. Anderson he showed me an image from a book which was a third (actually the first) version of the work, and gave me the backstory of the history of “The Master Bridge”.


Bill was visiting Milford and saw some art on canvas and stretcher bars leaning against a wall. He noticed that one of them, a portrait, had a little damage to it and offered to take it home and restore it. The portrait was just thumbtacked to the frame and when he removed it at home to work on it he discovered that underneath was the oil painting of “The Master Bridge”. Over the years Milford had lost track of it and had assumed it was in a collection somewhere. Bill made the linoleum block version which they then printed and Milford signed as a limited edition.

I highly recommend paying a visit to the gallery – it is open Friday and Saturday from 1 – 9 pm and Sunday from 1 – 6. At least check out the website at www.billandersonartgallery.com – I’m sure you will enjoy it.

-Paul M.-

Monday, June 6, 2016


Ester Hernandez (United States, 1944)
Sun Mad, 1982
Screen print, ed.73/100


This is a screen print named Sun Mad created in 1982 by Ester Hernandez. This print points out how raisins are grown in an unnatural way. Meaning that they're produced with different bacteria and chemicals making it unhealthy for us to eat. This was a protest poster used to bring attention to the situation that the farmers were in. Even though it was propaganda its still fine art and has a lot of aesthetic value. Based on the Sun Maid raisins logo; the artist used the same idea, but flipped it to show the negative idea of this product.

Noir: The romance of Black in 19th-Century French Drawings and Prints

For my blog entry I visited The Getty and saw "Noir: The Romance of Black in 19th-Century French Drawings and Prints"



Unfortunately, photography of any kind was prohibited within the exhibition so I took notes and have attached two images that I found online from the exhibition that both used lithography as their method.

Lithography is the method of printing from a flat surface that has been treated so that the ink will only adhere to the intended design.

The first piece is titled "The eye, like a strange balloon, mounts toward infinity" by Odilon Redon (1882)



Odilon Redon was a French Symbolist, painter, printmaker, and pastellist who made close to thirty etchings and two hundred lithographs almost exclusively in black and white. His artwork has been described as "a synthesis of nightmares and dreams", because of the dreamlike landscapes he depicted. Redon's work was an exploration of his psyche and internal feelings. His objective was to place "the logic of the visible at the service of the invisible".


The second piece is titled "Rue Transnonain" by Honore Daumier (1834)



Honore Daumier was a French printmaker whose works served as commentary on social and political like in France in the 19th century. Unlike Odilon, Honore was concerned with topical caricaturs that were published in a political paper that opposed the present king. This specific piece has a very convoluted intent that requires a lot of explanation of the present political climate within France at the time so I will leave its meaning out-also I've been trying to fully understand who its message is and I don't fully get it either.
Daumier created over 500 paintings, 4000 lithographs, 1000 drawings, 1000 wood engravings, and 100 sculptures during his lifetime.

Thanks for great semester!

Below is the press release for the exhibition:
http://news.getty.edu/press-materials/press-releases/getty-museum-noir.htm